{"id":563,"date":"2024-09-23T20:09:32","date_gmt":"2024-09-23T20:09:32","guid":{"rendered":"https:\/\/pequenproducciones.cl\/?post_type=jetpack-portfolio&#038;p=563"},"modified":"2024-09-25T12:53:37","modified_gmt":"2024-09-25T12:53:37","slug":"totem","status":"publish","type":"jetpack-portfolio","link":"https:\/\/pequenproducciones.cl\/en\/portfolio\/totem\/","title":{"rendered":"Totem"},"content":{"rendered":"<br><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:image {\"id\":546,\"sizeSlug\":\"large\",\"linkDestination\":\"none\",\"align\":\"center\"} -->\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28-1024x576.jpeg\" alt=\"\" class=\"wp-image-546\" srcset=\"https:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28-1024x576.jpeg 1024w, https:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28-300x169.jpeg 300w, https:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28-768x432.jpeg 768w, https:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28-1536x864.jpeg 1536w, https:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28-450x253.jpeg 450w, https:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28-1422x800.jpeg 1422w, https:\/\/pequenproducciones.cl\/wp-content\/uploads\/2024\/09\/STILSS_1.1.28.jpeg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<!-- \/wp:image -->\n\n<!-- wp:heading {\"level\":6} -->\n<h6 class=\"wp-block-heading\">SYNOPSIS:<\/h6>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p>While the numbers of disappeared people in Mexico keep rising, Totem explores the particularities and deeper roots of this type of violence and imagines new forms of resistance and community in the movements that have emerged against it. The story of two archaeologists searching in vain for an ancient Olmec head in a murky river appears at recurring intervals, questioning the very act of documenting the absent and the invisible.<br><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/vimeo.com\/689860545\">WATCH TRAILER<\/a><\/h3>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Released- 2022, Mexico, Chile \/ 65 min \/ feature documentary<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:heading {\"level\":6} -->\n<h6 class=\"wp-block-heading\">PRODUCTION COMPANIES:<\/h6>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Unidad de Montaje Dial\u00e9ctico (Mex)), <a href=\"http:\/\/www.pequenproducciones.cl\" target=\"_blank\" rel=\"noreferrer noopener\">Pequ\u00e9n Producciones<\/a> (Chile)<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:heading {\"level\":6} -->\n<h6 class=\"wp-block-heading\">TEAM:<\/h6>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Direction: Unidad de Montaje Dial\u00e9ctico<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Production: Unidad de Montaje Dial\u00e9ctico y Pequ\u00e9n Producciones<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Co-production: Talipot Studios y General Expenses<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Script: Unidad de Montaje Dial\u00e9ctico<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Cinematography: Unidad de Montaje Dial\u00e9ctico<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Editing: Unidad de Montaje Dial\u00e9ctico<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Original music: Sinewavelover<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Sound design and mix: Sinewavelover<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Poster design: Abraham Cruzvillegas<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:heading {\"level\":6} -->\n<h6 class=\"wp-block-heading\">FESTIVALS:<\/h6>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Cin\u00e9latino \u2013 Rencontres de Toulouse, 2024<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ambulante \u2013 Gira de Documentales, 2024<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Festival de Cine de la Habana, 2023<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>FIDOCS \u2013 Festival Internacional de Documentales de Santiago, 2023<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>FICUNAM \u2013 Festival Internacional de Cine UNAM, 2023<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>L\u2019Alternativa \u2013 Festival de Cinema Independent de Barcelona, 2023<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Punto de Vista Festival de Cine Documental, 2022<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>MUTA Festival&nbsp;Internacional de Apropiaci\u00f3n Audiovisual, 2023<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Docufilm Le\u00f3n, 2023<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>MIDBO \u2013 Muestra Internacional Documental de Bogot\u00e1, 2022<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:heading {\"level\":6} -->\n<h6 class=\"wp-block-heading\">AWARDS:<\/h6>\n<!-- \/wp:heading -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>L\u2019Alternativa \u2013 Festival de Cinema Independent de Barcelona, 2023 [Menci\u00f3n Especial]<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>MIDBO \u2013 Muestra Internacional Documental de Bogot\u00e1, 2022 [Menci\u00f3n de la cr\u00edtica a la mejor pel\u00edcula iberoamericana]<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:paragraph -->\n<p>      ","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS: While the numbers of disappeared people in Mexico keep rising, Totem explores the particularities and deeper roots of this type of violence and imagines new forms of resistance and community in the movements that 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